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	<title>Comments on: Episode 5: Our New Year&#8217;s gift to you &#8211; a Christmas podcast!</title>
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	<link>http://shouldbefamous.com/2009/01/episode-5-our-new-years-gift-to-you-a-christmas-podcast/</link>
	<description>The best music you've never heard--very cool original music by people with REAL jobs.</description>
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		<title>By: Skye</title>
		<link>http://shouldbefamous.com/2009/01/episode-5-our-new-years-gift-to-you-a-christmas-podcast/#comment-54</link>
		<dc:creator>Skye</dc:creator>
		<pubDate>Wed, 21 Jan 2009 21:48:40 +0000</pubDate>
		<guid isPermaLink="false">http://shouldbefamous.com/?p=11#comment-54</guid>
		<description>Well, I&#039;m truly sorry I didn&#039;t get to participate in this particular &#039;cast. I would have had all sorts of colorful opinions to offer (though I may have drowned you all out laughing while Clay was playing sleighbells to Metallica and &quot;Blue&quot; and such. hilarious).  I actually do think there&#039;s something particular about the music of Christmas music. In recent years we&#039;ve added some regular ol&#039; pop songs to the Christmas annals like &quot;Grandma Got Run Over&quot; and &quot;Last Christmas,&quot; but I don&#039;t think those are really &quot;Christmas Songs&quot; so much as they are songs about Christmas. If you look at classic Christmas music, it really is different I think. That&#039;s why it&#039;s my favorite genre to sing. The music is FUNNER to make. I don&#039;t know if it&#039;s just more plucky, happy, hopeful sounding (except songs like &quot;Lullay&quot; which go the other way), or if they have a chord structure that makes a difference - like the 9ths and particular suspended chords.  I was intrigued by Clay&#039;s theory of chords moving every time. That was one of the hard things about playing &quot;Angels We Have Heard on High&quot; on the guitar. I had to switch the chord practically every note. If I were a total music theory geek, I&#039;d see if I could find a common pattern. But alas, I&#039;m more of a folk music geek.</description>
		<content:encoded><![CDATA[<p>Well, I&#8217;m truly sorry I didn&#8217;t get to participate in this particular &#8216;cast. I would have had all sorts of colorful opinions to offer (though I may have drowned you all out laughing while Clay was playing sleighbells to Metallica and &#8220;Blue&#8221; and such. hilarious).  I actually do think there&#8217;s something particular about the music of Christmas music. In recent years we&#8217;ve added some regular ol&#8217; pop songs to the Christmas annals like &#8220;Grandma Got Run Over&#8221; and &#8220;Last Christmas,&#8221; but I don&#8217;t think those are really &#8220;Christmas Songs&#8221; so much as they are songs about Christmas. If you look at classic Christmas music, it really is different I think. That&#8217;s why it&#8217;s my favorite genre to sing. The music is FUNNER to make. I don&#8217;t know if it&#8217;s just more plucky, happy, hopeful sounding (except songs like &#8220;Lullay&#8221; which go the other way), or if they have a chord structure that makes a difference &#8211; like the 9ths and particular suspended chords.  I was intrigued by Clay&#8217;s theory of chords moving every time. That was one of the hard things about playing &#8220;Angels We Have Heard on High&#8221; on the guitar. I had to switch the chord practically every note. If I were a total music theory geek, I&#8217;d see if I could find a common pattern. But alas, I&#8217;m more of a folk music geek.</p>
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		<title>By: Evan Smith</title>
		<link>http://shouldbefamous.com/2009/01/episode-5-our-new-years-gift-to-you-a-christmas-podcast/#comment-53</link>
		<dc:creator>Evan Smith</dc:creator>
		<pubDate>Tue, 20 Jan 2009 15:04:55 +0000</pubDate>
		<guid isPermaLink="false">http://shouldbefamous.com/?p=11#comment-53</guid>
		<description>I enjoyed the subject and the analysis, but I have to disagree with Clayton&#039;s theory, at least partially. I think the sleigh bells don&#039;t constrain things to the Christmas genre. I think they sounded great with the non-Christmas songs chosen. I think they work as a percussive element similar to the tambourine as Courtney suggested. If you brought the level of the sleigh bells down to make them not so prominent, I think they would be a valid element of the song. Even the Metallica song benefited form the extra element.</description>
		<content:encoded><![CDATA[<p>I enjoyed the subject and the analysis, but I have to disagree with Clayton&#8217;s theory, at least partially. I think the sleigh bells don&#8217;t constrain things to the Christmas genre. I think they sounded great with the non-Christmas songs chosen. I think they work as a percussive element similar to the tambourine as Courtney suggested. If you brought the level of the sleigh bells down to make them not so prominent, I think they would be a valid element of the song. Even the Metallica song benefited form the extra element.</p>
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